★ ★ ★
Without a doubt, this fulfilled my need for some dark humor in my life. It was just what I needed to help me get out of a book slump I was in for two weeks. The Deaths of Henry King by Brian Evenson, Jesse Ball, and illustrated by Lilli Carré. For me this was an introduction into the creators of this collaboration, and after reading this, I looked into more of their work because I wanted more. Lilli Carré’s illustrations are phenomenal, and she quickly became a favorite artist of mine after discovering her work in this book. This is not exactly a graphic novel, but it is sort of a small illustrated book with short paragraphs and gravestone-rubbing-style art. The Deaths of Henry King, simply put, is about one character dying over and over in some grim, but comical situations.
At certain points, I would make anyone around me listen while I read a few pages because it was too good not to share. Some grim, some hilarious, and some outright ridiculous deaths. Death by a cheddar cheese wheel? Eating six and a half pounds of glass? A visit from an angel that rips his heart out through his throat? It all happens within the 160 pages of The Deaths of Henry King.
The hapless Henry King, as advertised, dies. Not just once or twice, but seven dozen times. Each death a new demise, from the comic to the grim to the absurd to the transcendent and back again. With text by Jesse Ball and Brian Evenson complimented by Lilli Carré’s macabre, gravestone-rubbing-style art, Henry King’s ends are brought to a vivid life.
Hardcover, 160 pages
September 12th 2017 by Uncivilized Books
Fütchi Perf is Kevin Czap’s first long-form in print, told through a handful of short comics combined to assemble like an album. Set in Cleveland, in a near-utopian future, there are themes of community, feminism, and a diverse world that is accepting and letting the good flourish. It’s filled with close-knit friendships, life-changing basement shows, and a joyous artistic community. I am torn because this was close to a 3 star read but closer to a 2.5 because of some reasons that I’ll discuss further in the review–but I did like this, just not as much as I hoped. I read this not once, but twice, because I felt like the first time wasn’t enough to extract all that the comic had to offer–and still, I am a bit perplexed. It is disjointed with little story, and has a lot going on between the color palette, and crowded pages. I definitely felt a little claustrophobic while reading this, which added to the second time around reading it to make sure I didn’t miss anything. The artwork is cartoony with a vibrant bubblegum palette, displayed in flashes of scenes, that was fitting to the setting and the idealized, euphoria atmosphere of Cleveland.
I felt like this is one of those comics that really makes you stop and question a lot on how we think, the way society is verse how we would possibly like it to be, or how other’s may envision possible solutions to real life problems. I did love the premise of this, the characters, and all the diversity that is within it–you can feel the heart that went into crafting Fütchi Perf–but I had such a hard time really getting into it because of the layout, which did lower the rating I had in mind.
What if the future began in a small, queer, punk music show in the basement of a Cleveland, Ohio house? Romantic friendships, über-chic culture, magical solutions, kid think-tanks, and more. Fütchi Perf might not depict a perfect future, but its slice-of-life vignettes—drawn in a glorious, kaleidoscopic two-color palette—visualize a Utopian dream that seems almost real, but perpetually out of reach.
Paperback, 88 pages
October 10th 2017 by Uncivilized Books
I received a copy in exchange for an unbiased review from the publisher. All opinions are my own.